It took longer than I thought, however, they are finally done! My gratitude goes out to my friends and supporters who contributed hankies.
I've installed a third of them on my studio wall in order to make images to send to potential venues. I hope to have this project complete and in place for Mental Health Awareness month (April).
I find that tending indigo is good for my spirit, and yet, too much attention can confuse it. It’s a challenge to keep from hovering over the vat, stirring too much, and constantly checking the saturation with test strips of cotton. Impatience is no help to maintaining or reviving a vat! Over-tending will not make the vat stronger, or result in deeper shades, and can actually harm it.
Some people refer to the indigo vat as a “living thing”, as the vat needs food (sugar), warmth, and a certain level of alkalinity for the indigo to stay in the proper condition to dye fabric. The vat can go dormant, as mine do at my summer studio in Northern WI. I allow the vat to freeze over the winter, and then in the spring revive it with heat, sugar, and lime, and a little TLC.
The vat can also weaken with age and use. At some points, the addition of indigo is required to keep dyeing rich, dark hues.
You can see why we indigo dyers refer to our vat like a dear pet or favorite workhorse! It does require some care, and in return, works hard to make us happy.
So what’s the “TLC” part?
The indigo is observed, tested, and tended according to which of these ingredients it needs. Empathy, rather than a prescribed solution, is the best way to help the vat recover. Take note of the vat’s condition by smelling, stirring, and looking carefully at the color and clarity. And only after thoroughly assessing what is there, offer small amounts of lime or sugar.
Stirring helps keep the indigo in reduction by activating the settled sugars, indigo and lime. Heat, depending on the room temperature, may be necessary to keep the vat in reduction. Catharine Ellis, whose blog shares her vast knowledge about troubleshooting indigo vats, keeps hers around 80F. I’ve let mine go down to 40F without a decrease in strength, and it seems that helps keep the ph level stable if I’m not tending to it daily. If I’ve been away, I heat it to 100-110F to help wake it up and encourage the reduction of the sediment, or sludge as I call the thick, dark liquid at the bottom of the bucket.
That sludge of sugar and indigo can inhibit proper dyeing. Once the vat has been observed and corrected, it must be ‘calmed’ before using. This just means, let it settle, so the solids sink back down the bottom. Then the indigo is ready to do its magic!
I’ll write more in the next post about the sludge, and how to extract and use the indigo from it.
For the past few years, I've packed up a carload of screens, inks, fabrics, and all sorts of ideas, and headed North. I'm fortunate to live in a place with four distinct seasons, and I want to pack all the outdoors I can into the 3 months of summer.
My summer studio is one stall of our garage and I can open the door wide, and feel as though I'm outside while working. And much of the time I am outside! I run over to the hose to get water, dry the cloth on the trees, and allow the bugs to keep me company in the studio (ticks excepted).
