140 days: Stories and Statistics

How do we talk about depression, and what are the different impacts of subjective and objective information?  My work often explores language, particularly ambiguous texts that can apply to several contexts and many individual interpretations. In this project, I compare broad, hard facts with highly personal emotional responses in order to make the condition as real as possible.

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In his opinion article, John Allen Paulos comments, "I’ll close with perhaps the most fundamental tension between stories and statistics. The focus of stories is on individual people rather than averages, on motives rather than movements, on point of view rather than the view from nowhere, context rather than raw data. Moreover, stories are open-ended and metaphorical rather than determinate and literal."

The passages I will use in this project will demonstrate the need for both empirical evidence and factual data when talking about Major Depressive Disorder. For those who have not experienced depression personally, clinical descriptions and statistics can begin to uncover and validate this silent disorder. For those who already know what it feels like, the literary texts describe what is so often hard to explain to others. Together, the words and the indigo-dyed handkerchiefs will hopefully make the pain and suffering that is experienced with MDD more visible and less stigmatized.

5 Best: Natural Dyes

Last November, I attended the Tenth International Shibori Symposium in Oaxaca, Mexico. I'll post several times about the conference, as it was packed tightly with illuminating and inspiring moments.

One such moment was a session about natural dye practices moderated by Master-dyer Catherine Ellis and Christina Roberts of Marafiki Arts. Beginning with "what's it going to take to make it [natural dyes] stick?", the open discussion followed a meandering path through technical information, the role of science for dyers (and how natural dyes can be used to teach science!), and the 5 best natural dye books and 5 best dyes for artists.

There are thousands of natural materials that could be used to dye fibers. One important note to acknowledge that these "5 best dyes" are identified for their light and color fastness, critical factors when creating archival art pieces. The intention of the user may be different however, such as dyeing with invasive plants to raise awareness about the environmental and economic impact of introduced plants. Artists may also want to reference their local environment and use foraged or cultivated natural dyes specific to their region to make a statement.

And they are...

Left to right: Indigo, Cochineal, Weld, Madder, and (not pictured) Osage Orange

Left to right: Indigo, Cochineal, Weld, Madder, and (not pictured) Osage Orange